Palais Des Papes
Built in under 20 years, the Palais des Papes packs the volume of four Gothic cathedrals — and seven popes ruled Christendom from inside its walls.
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Not every monument, just the ones we'd walk you past ourselves.
Built in under 20 years, the Palais des Papes packs the volume of four Gothic cathedrals — and seven popes ruled Christendom from inside its walls.
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Capital of Christendom in the 14th century, home to the titanic Palais des Popes, and the ultimate launchpad for exploring the lavender plateaus and hilltop villages of the Luberon.
For nearly seventy turbulent years between 1309 and 1377, the center of global Catholic power abandoned Rome entirely and reestablished itself on the banks of the Rhône River in Provence. Known in church history as the Avignon Papacy—and bitterly condemned by Italian poet Petrarch as the "Babylonian Captivity of the Church":
In the early 14th century, Rome had degenerated into an anarchic warzone torn apart by bloody vendettas between aristocratic families (the Orsini and Colonna clans). Simultaneously, the ruthless French monarch Philip IV "The Fair" (Philippe le Bel) sought to exert control over the Papacy. Following the death of Pope Benedict XI, the College of Cardinals elected French archbishop Bertrand de Goth as Pope Clement V in 1305.
Fearing the lethal violence of Rome, Clement V sought refuge in 1309 in Avignon. The city was strategically ideal: situated on the imperial boundary of France, it belonged to the Kingdom of Naples and bordered the Comtat Venaissin, an independent papal enclave. In 1348, Pope Clement VI purchased Avignon outright from Queen Joanna I of Naples for 80,000 gold florins.
Seven legitimate French Popes reigned over Christendom from Avignon: Clement V, John XXII, Benedict XII, Clement VI, Innocent VI, Urban V, and Gregory XI. During this golden age, Avignon expanded from a modest provincial town of 5,000 into a dazzling cosmopolitan metropolis of over 40,000 inhabitants—thronged with bankers from Florence, silk merchants from Venice, emissaries from England, and master artists who ignited the International Gothic style.
Dominating the city from the limestone rock outcrop of the Rocher des Doms, the Palais des Popes is the largest Gothic palace ever built on earth. Spanning an astonishing 15,000 square meters—equivalent to four Gothic cathedrals combined—this titan of stone was constructed in less than twenty years through the contrasting visions of two remarkable popes:
Erected between 1334 and 1342 by Pope Benedict XII, a former Cistercian monk and inquisitor. Benedict feared military invasion and despised worldly ostentation. He demolished the old bishop's palace to construct an impenetrable fortress with three-meter-thick stone curtain walls, soaring battlements, machicolations, and colossal defensive towers (such as the 50-meter Tour de Trouillas). Inside sits the monumental Grand Tinel (Banquet Hall)—a 48-meter-long hall roofed with an upside-down wooden ship's keel, where the Pope hosted ceremonial banquets while a reader recited scriptures from a stone pulpit.
Erected between 1342 and 1352 by Benedict's successor, Pope Clement VI, a flamboyant French aristocrat who declared: "My predecessors did not know how to be Pope!" Clement added the vast Cour d'Honneur, the palatial Great Chapel (Grande Chapelle), and lavish private chambers.
Clement summoned master Sienese painter Matteo Giovannetti to lead a workshop of Italian artists. In the Chambre du Cerf (Pope’s private study), Giovannetti covered the walls with stunning secular frescoes depicting falconry, stag hunting, and bathing in emerald forest ponds. In the Chapelle Saint-Martial, his luminous lapis-lazuli blue frescoes narrate the life of Aquitaine’s apostle.
Extending gracefully into the swirling currents of the Rhône River, the ruined stone bridge of Pont Saint-Bénézet is famous worldwide through the 16th-century children's song: "Sur le Pont d'Avignon, on y danse, on y danse...":
According to legend, in 1177, a young local shepherd boy named Bénézet heard a divine voice commanding him to build a stone bridge across the treacherous Rhône. Mocked by the Bishop of Avignon, Bénézet miraculously hoisted a massive stone block that thirty men could not budge, casting it into the river as the foundation.
When completed in 1185, the bridge spanned an astonishing 900 meters across 22 stone arches, linking papal Avignon to royal French territory at Villeneuve-lès-Avignon. However, the furious alpine floods of the Rhône repeatedly swept away entire sections. Tired of costly repairs, the bridge was permanently abandoned in 1669 following a catastrophic winter flood. Today, only four graceful stone arches survive, crowned by the tiny two-story Romanesque Chapelle Saint-Nicolas perched directly on the second pier.
The Song's Historical Truth: People never danced on the bridge (which was barely four meters wide and heavily congested with toll-paying merchants and armed guards); they danced under the bridge ("Sous le pont d'Avignon") on the lush green riverbanks of Île de la Barthelasse—Europe's largest river island—where open-air dance halls, guinguette taverns, and picnic meadows flourished away from strict papal surveillance. Today, a free municipal solar-powered passenger ferry (Bac à Traille) shuttles visitors from the foot of the ramparts across to the island for peaceful cycling and views of the bridge.
Every July, the ancient stone ramparts of Avignon vibrate with artistic revolution during the Festival d'Avignon—universally recognized alongside Edinburgh as one of the two most important theater festivals in the world:
Founded in 1947 by visionary director Jean Vilar in the aftermath of World War II, the festival was created to demystify theater, bringing avant-garde drama out of elite Parisian salons into open public spaces. The mythological centerpiece of the official "In" Festival is the Cour d'Honneur of the Palais des Papes—an open-air theater seating 2,000 spectators facing a sheer 50-meter-high Gothic stone wall under the starry Provençal night sky. To perform in the Cour d'Honneur is the highest honor in French dramatic arts, immortalized by legendary performances of Gérard Philipe and Maria Casarès.
Simultaneously, the city hosts the gargantuan Festival Off: over 1,500 independent theater companies, mime artists, puppeteers, stand-up comedians, and circus troupes from dozens of nations take over more than 130 makeshift venues, courtyards, schools, and street corners. The entire walled city becomes an electric carnival where costumed actors parade down Rue des Teinturiers handing out flyers and performing spontaneous excerpts.
Avignon is the premier geographical springboard for exploring the most celebrated landscapes of Provence:
In the 1310s, Pope John XXII chose this sun-drenched hill overlooking the Rhône to construct his summer castle. Today, its ruined stone keep stands guard over the most prestigious wine appellation of the Rhône Valley.
The terroir is famous worldwide for its galets roulés—massive, rounded quartzite river boulders deposited by ancient Alpine glaciers. These smooth stones absorb the blazing Mediterranean sun during the day and radiate heat back onto the low-trained bush vines at night, ripening grapes to high alcohol and concentrated spice. Winemakers blend up to thirteen permitted grape varietals (led by Grenache, Syrah, and Mourvèdre) to create full-bodied, velvety red wines bursting with dark fruits, leather, and Provençal wild thyme (garrigue).
To the east lies the Parc Naturel Régional du Luberon:
Avignon’s cuisine is intensely aromatic, anchored by sun-ripened produce, wild garrigue herbs, and ancient monastic confectionery:
Located on Place Pie, the central covered market is famous for its exterior northern facade: a monumental 30-meter-wide living vertical botanical wall created in 2005 by botanist Patrick Blanc, featuring over 11,000 evergreen plants thriving in soil-free felt mats. Inside, 40 artisan butchers, fishmongers, and cheesemongers display goat cheeses from Banon wrapped in chestnut leaves, candied fruits from Apt, and fragrant Cavaillon melons. Every Saturday morning at 11:00, prominent local master chefs host free live culinary demonstrations.
Unlike the traditional Provençal beef daube, Avignon’s signature stew is made from tender lamb shoulder and leg, marinated for 24 hours in white Côtes du Rhône wine with garlic, carrots, and bitter orange peel, then slow-simmered for four hours in a clay pot, served over buttered macaroni pasta.
A legendary confectionery created in 1960 to honor the Popes of Avignon. A spiky, bright pink bonbon made of two delicate chocolate shells coated in sugar crystals, containing a liquid center of Liqueur d'Origan du Comtat—a golden herbal liqueur distilled from sixty wild alpine plants and marjoram harvested on the slopes of Mont Ventoux.
Thinly sliced alternating rounds of zucchini, eggplant, and ripe tomatoes arranged vertically in an earthenware gratin dish, generously seasoned with minced garlic, fresh thyme, sea salt, and extra virgin olive oil, then baked until caramelized and meltingly tender.
Follow this strategic 3-day itinerary to experience the best of papal history, performing arts, and rural Provence:
Morning: Arrive at the monumental Place du Palais. Tour the Palais des Popes with the Histopad 3D augmented-reality guide, exploring the Grand Tinel, the Cloister, and Matteo Giovannetti's painted frescoes in the Stag Room.
Lunch: Sample fresh tapenades and cheese at Les Halles on Place Pie.
Afternoon: Climb to the hilltop botanical gardens of Rocher des Doms for sweeping panoramas of the Rhône valley and Mont Ventoux. Walk out onto the four historic arches of the Pont d'Avignon, touring the Chapelle Saint-Nicolas.
Evening: Ride the free solar river ferry across to Île de la Barthelasse for sunset drinks looking back at the illuminated papal battlements. Dine on Daube Avignonnaise at a charming terrace on Rue des Teinturiers.
Morning: Drive or join a guided day excursion east into the Luberon. Arrive at the cliffside village of Gordes, exploring its steep cobblestone alleys and Renaissance castle. Drive down to Abbaye de Sénanque to photograph the timeless Cistercian cloister nestled among lavender fields.
Lunch: Dine on a sunlit terrace in Roussillon overlooking the fiery red cliffs.
Afternoon: Walk the Sentier des Ocres trail through glowing orange canyons. Continue to the charming village of Ménerbes for goat cheese and honey tasting.
Evening: Return to Avignon for dinner at a garden bistro near Saint-Didier church.
Morning: Travel 15 minutes north to Châteauneuf-du-Pape. Walk the ruins of the Papal Summer Palace and descend into ancient cellars (like Château de Beaucastel or Maison Bouachon) to sample robust Grenache blends across the galets roulés.
Lunch: Savor a gourmet vineyard lunch paired with local vintage reds.
Afternoon: Drive 25 minutes west to the colossal Pont du Gard—the three-tiered Roman aqueduct bridge built in the 1st century CE spanning the Gardon river. Swim in the emerald river waters beneath its monumental arches.
Evening: Return to Avignon for a farewell dinner along the shaded waterwheels of Rue des Teinturiers.
Essential advice for navigating Avignon and the wider Provence region:
Avignon is one of the very few European cities to have preserved its complete defensive perimeter intact:
Constructed between 1355 and 1370 under Popes Innocent VI and Urban V to defend the Papacy against roaming mercenary bands (the Grandes Compagnies) left unemployed by truces in the Hundred Years’ War, the Ramparts of Avignon extend unbroken for 4.3 kilometers. Crowned with crenellated battlements, machicolations, and punctuated by 39 stone towers and seven fortified gates, they encircle the entire historic core in golden-hued limestone.
Just inside the southern ramparts lies Avignon’s most romantic lane: Rue des Teinturiers (Street of the Dyers). Paved with smooth river pebbles, this shaded street hugs the canalized waters of the Sorgue River beneath centuries-old plane trees. Between the 14th and 19th centuries, this quarter was the humming industrial capital of silk weavers, textile dyers, and printers of vibrant Provençal printed calico cottons (indiennes de Provence).
Four enormous, moss-draped wooden paddle waterwheels (roues à aubes) still turn slowly in the crystal-clear rushing water, once powering textile mills and dye baths. Stroll past Gothic townhouses—including the mysterious 1493 Maison du IV de Chiffre with its esoteric stone talisman carvings—to enjoy outdoor dining at bohemian shaded cafes where local theater troupes rehearse.
In the 14th century, crossing the Pont Saint-Bénézet across the Rhône meant crossing an international border: departing the sovereign territory of the Pope to enter the Kingdom of France at Villeneuve-lès-Avignon:
To keep watch over the wealthy papal enclave, French King Philip the Fair built the imposing Tour Philippe-le-Bel at the western bridgehead, and his successor John the Good crowned Mount Andaon with Fort Saint-André—a titanic stone military fortress whose colossal round twin gate towers look menacingly down across the river at the Palais des Popes.
Villeneuve also served as the quiet, aristocratic suburb for wealthy papal cardinals who wished to escape the stench, heat, and plague outbreaks of overcrowded Avignon. Here they built opulent palace-villas (livrées cardinalices) surrounded by orchards. The most magnificent is the Chartreuse du Val de Bénédiction, founded in 1356 by Pope Innocent VI. One of the largest Carthusian monasteries in Europe, it features three monumental stone cloisters and the serene chapel housing the exquisite Gothic alabaster and white marble tomb of Pope Innocent VI.
No force has shaped the culture, climate, and architecture of Avignon more profoundly than the Mistral—the fierce, dry northern wind that channels down the Rhône Valley between the Alps and the Massif Central:
Accelerating to speeds over 100 km/h, the Mistral sweeps away all clouds, pollution, and humidity, endowing Avignon and Provence with over 300 days of sunshine annually and an extraordinary, crystalline optical clarity that mesmerized painters like Vincent van Gogh and Paul Cézanne.
Every facet of traditional Provençal rural architecture is an adaptation to this powerful natural element: traditional country farmhouses (mas) are oriented facing strictly south towards the sun, with completely blind, windowless northern stone facades to resist cold winter blasts. Ancient Roman terracotta roof tiles (tuiles canal) are weighed down by heavy river stones or mortared directly to prevent them being torn off by gales. Throughout the surrounding countryside, farmers plant dense, soaring hedges of dark green cypress trees along the northern borders of their orchards to shelter delicate olive groves and vineyards from the wind.
One of the most extraordinary and poignant chapters of Provençal history unfolded within the walls of Avignon and the surrounding papal county of the Comtat Venaissin:
When King Philip the Fair expelled all Jewish communities from the Kingdom of France in 1306 (followed by final royal expulsions in 1394), Jewish families faced complete banishment or death across Western Europe. However, because Avignon and the Comtat Venaissin were sovereign papal territory and not part of France, the Popes granted Jewish communities official sanctuary and legal protection under papal bull, in accordance with Saint Augustine's doctrine that Jewish people must be preserved as living witnesses to biblical prophecy.
Known historically as Les Juifs du Pape (The Pope's Jews), they resided in four dedicated urban quarters called carrières located in Avignon (along Rue Vieille Juiverie), Carpentras, Cavaillon, and L'Isle-sur-la-Sorgue. While subject to restrictions (including wearing distinctive yellow hats and gates locked at curfew), they enjoyed religious freedom, flourishing as merchants, doctors, and money-lenders.
Over centuries of isolation, the community developed a rich, unique cultural identity: speaking their own language, Shuadit (Judeo-Provençal), and chanting the ancient Rite Comtadin liturgy. Today, travelers can visit the nearby Synagogue of Carpentras (constructed in 1367, the oldest functioning synagogue in France, featuring a 14th-century underground ritual bath or mikveh cut into bedrock) and the exquisite 18th-century rococo Synagogue of Cavaillon, bearing testimony to five centuries of cultural resilience under papal sovereignty until the French Revolution granted full civic emancipation in 1791.
Just 25 kilometers east of Avignon, the crystal-clear emerald waters of the Sorgue River nourish two of Provence's most beloved riverside sanctuaries:
L'Isle-sur-la-Sorgue ("The Venice of the Comtat"): Built entirely across a network of canals crisscrossed by footbridges and lined with fifteen historic mossy wooden paddlewheels. It is the third-largest antique capital in Europe after London and Paris. Every Sunday morning, the riverbanks erupt into an enormous open-air flea market and Provençal food fair where hundreds of antique collectors browse vintage crystal, Louis XV armoires, and retro advertising posters before enjoying lunch along the rushing water.
Fontaine-de-Vaucluse & Petrarch's Muse: Six kilometers upstream, the river bursts dramatically from the foot of a towering 230-meter vertical limestone cliff. This is France’s largest natural freshwater spring—and the fifth largest in the world—gushing up to 200 cubic meters per second from a mysterious subterranean chasm explored by Jacques Cousteau. Italian poet Petrarch lived in a rustic stone cottage beside the gushing pool between 1337 and 1353, composing his timeless Canzoniere sonnets dedicated to Laura, praising the peaceful solitude of the rushing waters far away from the corrupt papal court of Avignon.